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  • Composer House Arrest opinionator.blogs.nytimes.com

    Many people think that all composers are dead men with puffy white hair. It’s not true. There are plenty of us that are showing signs of life, we’re just sequestered at home trying to find time to apply for grants, answer e-mail, chase down payments, send out scores, and maybe even write music.

  • The Score: Advice To Young Composers opinionator.blogs.nytimes.com

    Back in October I was interviewed by Cornelius Dufallo, a fine violinist who recently performed a piece of mine. He sent me a list of questions, the last being, “Any advice for young composers?”

  • The Myth Of The “Working Composer” www.filmmusicmag.com

    Since the mid/late 1990s, music libraries have exploded and the vast majority of scores for television are done with “electronic” samplers, sometimes with some live players added.

  • How To Start Out As A Soundtrack Composer www.musicradar.com

    We offer a few tips for those looking to break into the industry.

  • A Machiavellian Guide To Becoming A Composer aarongervais.com

    I’m currently reading the very interesting 48 Laws of Power, which is sort of an updated version of Machiavelli’s controversial work but with a modern perspective. I started thinking, becoming a world-renowned composer is a process not unlike overthrowing a medieval princedom, so what would Machiavelli’s advice be to young 21st-century composers?

  • How To Become A Film Composer www.filmscoremonthly.com

    There is no single place called “Hollywood.” There is, alas, no one place you can send music for it to be considered for a film—it is not like writing a letter to Santa Claus and addressing it to the North Pole, although that might bring you better luck.