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2013 marks a rapid rate of change in the video editing and post production industry. With more and more nonlinear video editing applications (NLEs) being picked up by old and new companies, simply being an ‘FCP editor’ or ‘an Avid editor’ may not be enough any more. This is especially in the freelance world. As Michael Cioni, CEO of Light Iron Digital, stated in his presentation about the future of digital cinema, editors need to be translators who can speak several languages, the more ‘languages’ you can speak, the more valuable you become. For me, 2013 is the year of learning more video editing applications.
I have never imagined taking an intern job as a video editor. Videography was just an interest that I picked up in the first year of university life. Before that, I was an amateur photographer and graphic designer. Happy Marketer gave me the chance to explore videography more in depth and make it an essential work of my internship. After starting to work on video editing, I was totally blown away by the power of videography.
Editors are one of the key Heads of Department on feature films, responsible for First Assistant Editors, and on bigger productions, Second Assistants and Trainees. The way a story unfolds and grabs the attention of the audience is one of the most important elements in filmmaking. To ensure that the story flows effortlessly from beginning to end, each shot is carefully chosen and edited into a series of scenes, which are in turn assembled to create the finished film.
If you’re eager to become a film editor, you probably need to slow down and start with some schooling to learn about the industry and the technology used in film editing. Beyond that, you’ll need to gain experience working in the movie industry. And if you want to become an established feature film editor, you’ll need to start in a more modest film-editing job and work your way up.
The craft of the film and video editor is one which combines both technical proficiency and the eye and ear of an artist. The explosion of inexpensive digital editing tools, along with a growing demand for media for a variety of new and emerging platforms has made this once mysterious craft more desirable to creative people than ever.
Editing is an essential part of making any film or video. As Francis Ford Coppola says, “The essence of cinema is editing. It’s the combination of what can be extraordinary images of people during emotional moments, or images in a general sense, put together in a kind of alchemy.”